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They know the meaning of their own lives, and try as it might, the movie can’t help but give cancer credit for this state of perfection. Hazel and Gus possess an absolute moral authority, an ability to assert the truth of their experience that few can share and many might covet. Though it is a tragic love story, it is also a perfect and irresistible fantasy. It’s hardly a fair fight, and the way it is rigged - fresh-faced, innocent, possibly dying young people facing off against a cynical, broken-down, alcoholic old wreck - provides a clue to the emotional logic of “The Fault in Our Stars.” It’s less a movie about cancer than a depiction - really a celebration - of adolescent narcissism. The quarrel between the novelist and his fans, the only real conflict in the film other than the one with disease, is essentially a battle between argument and feeling. What kind of a monster could look at them and find fault? These kids are so nice, so wise, so good-humored, and they also may be dying. Part of the ingenuity of “The Fault in Our Stars” is the way it short-circuits any potential criticism through a combination of winsome modesty and brazen manipulation. Boone’s movie is undeniable, and the real-world experiences behind both are so terrible and complicated that mild skepticism can look like gross insensitivity. Green’s book is beloved, the emotional power of Mr. I’m about to venture onto dangerous ground. Woodley), were offbeat variations on sturdy romantic-comedy themes, and here they smartly emphasize the dry, idiosyncratic notes in Mr. Their earlier screenplays, “500 Days of Summer” and “The Spectacular Now” (also starring Ms.
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Weber that takes an unhurried, amiable approach to the story. Woodley’s discipline and to a script by Scott Neustadter and Michael H. However it might look in 40 years, “The Fault in Our Stars” seems at first glance like a much better picture, thanks to Ms. And yet it is still possible, all these years later, to laugh at the stilted dialogue and awkwardly staged scenes and find yourself wet-eyed and raspy-voiced at the end. The film was potent and memorable without being all that good. A long time ago, a movie called “ Love Story,” also based on a best seller with terminal illness in its plot, swept through the popular culture and landed its female lead on the cover of Time. ? The question is not meant to be a spoiler, but rather a point of reference.
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Green’s pages, frames the story - is Hazel Grace Lancaster, a teenager who has lived most of her life with the metastatic thyroid cancer she expects will end it very soon. The main character - whose voice-over narration, drawn verbatim from Mr. It succeeds.īut then again, a brief survey of the story and its themes might make you wonder how it could possibly fail. Directed by Josh Boone (“Stuck in Love”) with scrupulous respect for John Green’s best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. “The world is not a wish-granting factory.” That line, from “The Fault in Our Stars,” is undoubtedly true, and it is also true that the movie, like the book before it, is an expertly built machine for the mass production of tears.